The Geometry of Grace
My commissions live where fabric meets frequency — where thread, color, and form become language.
Each bespoke piece begins as a vibration, a meaning that seeks embodiment.
I draw from ancient symbols, sacred geometry, and the memory of nature’s proportions — not to imitate them, but to listen.
Every print is a pulse, every hue a tone, every pattern a breath within the greater rhythm of each of my creations.
Through these personalised pieces, I weave resonance — a harmony between the seen and unseen.
Each one is designed as a magnetic field of beauty and coherence,
a space the body can enter and remember its own symmetry.
When worn, the textile becomes an instrument —
attuning movement to stillness, matter to light, form to soul.
My aim is not adornment, but alignment.
To create pieces that breathe, that remember, that quietly magnetize —
where art and wearer meet in one continuous gesture of grace.
✧ The Serpent & the Cypress
Bespoke Commission for Saina’s 50th birthday celebration
Created in Oaxaca, this piece was commissioned as a gift for Saina’s 50th birthday — a celebration of her radiant grace and enduring spirit. Rooted in Persian symbolism and realized through Oaxacan craft, the garment honors the meeting of two ancient worlds: Iran and Mexico, where the cypress and the serpent both speak the language of transformation and eternal life.
The kimono is printed by hand on linen using natural pigments and botanicals, each element placed with intention to form a living field of coherence. On the back, the serpent rises through the cypress, culminating in a golden circle — the still point of illumination. At the feet, two mirrored diamonds form the foundation of reflection; on the front, the rings of the cypress unite into a heart when the garment closes, symbolizing love as remembrance. The right arm bears the Persian word ‘Eshq — عشق — for divine love, while the left holds a palm leaf, the emblem of grace and protection.
The color palette of oxidized red, gold, and black recalls the alchemy of earth, fire, and spirit. Each print — serpent, leaf, heart, and wing — was pressed by hand using hand-cut stencils, corn cob, and living leaves from Oaxaca’s soil.
At its center, a golden pine cone rests upon a black belt, the ancient symbol of awakened consciousness — the seed of the divine within the human form. It represents the balance between grounding and illumination, the stillness between breath and ascent.
This piece was created as a bridge between Persian mysticism and Oaxacan ritual craft, uniting two lands through the geometry of grace.
A prayer in fabric — for transformation, endurance, and the beauty of becoming.
✧ The Dragon King of Hearts
Bespoke Commission for His Majesty King Jigme Khesar Namgyel Wangchuck, the Druk Gyalpo of Bhutan
Created in Oaxaca, this piece was commissioned as a gift for the 45th birthday of His Majesty King Jigme Khesar Namgyel Wangchuck, the revered Druk Gyalpo, or “Dragon King” of Bhutan. Known as The People’s King, he is celebrated for his compassion, humility, and visionary leadership — walking among his people, listening to farmers, sitting with elders, and guiding Bhutan toward a future rooted in wisdom, happiness, and spiritual depth.
In honor of this ethos, I hand-printed a yellow kabney, the traditional Bhutanese ceremonial scarf. In Bhutan, yellow is reserved solely for the King — a color that signifies supreme wisdom, sacred authority, and enlightened rule. It symbolizes not only sovereignty but also the bridge between secular duty and spiritual guardianship.
This piece was created in resonance with the sacred land of Oaxaca, connecting the wisdom of the Himalayas with the heart of Mesoamerica. The kabney carries ten hearts — hand-printed from the leaves of the ancient Linden tree in Oaxaca, a tree long associated with love, peace, justice, and unity. At its center rests a golden circle, framing a tantric scripture reproduced from an antique Bhutanese block print — symbolizing wholeness, infinity, and the eternal continuity of enlightened leadership.
Through this work, two lands meet — Bhutan and Mexico — in shared devotion to nature, compassion, and the harmony between humanity and the living Earth.
